{"id":12,"date":"2026-06-17T07:10:57","date_gmt":"2026-06-17T07:10:57","guid":{"rendered":"https:\/\/www.fredericprat.com\/?page_id=12"},"modified":"2026-07-12T07:29:15","modified_gmt":"2026-07-12T07:29:15","slug":"biographie","status":"publish","type":"page","link":"https:\/\/www.fredericprat.com\/?page_id=12","title":{"rendered":"Biographie"},"content":{"rendered":"\n

Artiste plasticien, Fr\u00e9d\u00e9ric Prat vit et travaille \u00e0 Paris. Il d\u00e9veloppe depuis les ann\u00e9es 1990 une \u0153uvre ancr\u00e9e dans les probl\u00e9matiques de l\u2019abstraction contemporaine. Sa pratique picturale explore les tensions entre couleur, forme et surface, interrogeant les modalit\u00e9s de perception et les limites du tableau. Son travail est r\u00e9guli\u00e8rement expos\u00e9 en France, en Allemagne et au Luxembourg, et figure notamment dans les collections du MUDAM (Mus\u00e9e d\u2019Art Contemporain du Luxembourg).<\/p>\n\n\n\n

Formation<\/em><\/strong><\/p>\n\n\n\n

1992 \u2014 Dipl\u00f4m\u00e9 de l\u2019\u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts de Paris (ENSBA), avec les f\u00e9licitations du jury \u00e0 l\u2019unanimit\u00e9<\/p>\n\n\n\n

Expositions personnelles (s\u00e9lection)<\/em><\/strong><\/p>\n\n\n\n

2025 \u2014 SQUARE, Galerie Richard, Paris,  France<\/p>\n\n\n\n

2024 \u2014 SQUARE, Galerie Bessi\u00e8res, Chatou, France<\/p>\n\n\n\n

2021 \u2014 IN EXTREMIS, Galerie UHN, K\u00f6nigstein, Allemagne<\/p>\n\n\n\n

2019 \u2014 LITHOMACHIE, ICI Galerie, Paris, France<\/p>\n\n\n\n

2013 \u2014 TABLEAUX, Galerie UHN, K\u00f6nigstein, Allemagne<\/p>\n\n\n\n

2012 \u2014 ROUGE, BLEU, JAUNE, Le Carr\u00e9 noir, Centre d\u2019art contemporain, Bonneval, France<\/p>\n\n\n\n

2009 \u2014 FREDERIC PRAT, Galerie Fr\u00e9d\u00e9ric Giroux, Paris, France<\/p>\n\n\n\n

2008 \u2014 MONOGRAPHIE, MUDAM, Luxembourg (commissariat : Marie-Claude Beaud)<\/p>\n\n\n\n

2006 \u2014 TABLEAUX, Galerie Fr\u00e9d\u00e9ric Giroux, Paris, France<\/p>\n\n\n\n

2004 \u2014 OU, Marseille, France<\/p>\n\n\n\n

2002\u20132001 \u2014 FREDERIC PRAT, Galerie Nosbaum & Reding, Luxembourg<\/p>\n\n\n\n

Expositions collectives (s\u00e9lection)<\/em><\/strong><\/p>\n\n\n\n

2024 \u2014 DEEP DEEP DOWN, MUDAM, Luxembourg<\/p>\n\n\n\n

2023 \u2014 D\u2019UNE G\u00c9N\u00c9RATION L\u2019AUTRE, Galerie Bessi\u00e8res, Chatou, France<\/p>\n\n\n\n

2022 \u2014 ATAQAR, Julio Artist-run Space, Paris, France<\/p>\n\n\n\n

2022 \u2014 EXTENSION DU DOMAINE DE L\u2019ABSTRAIT, Galerie Bessi\u00e8res, Chatou, France<\/p>\n\n\n\n

2021 \u2014 LE TEMPS D\u2019UN REGARD, Ateliers Babiole, Ivry, France<\/p>\n\n\n\n

2020 \u2014 ASSEMBLAGE #24, Julio Artist-run Space, Paris, France<\/p>\n\n\n\n

2019 \u2014 SINGULIER PLURIEL, Galerie UHN, K\u00f6nigstein, Allemagne<\/p>\n\n\n\n

2014 \u2014 ART&ME, MUDAM, Luxembourg<\/p>\n\n\n\n

2012 \u2014 LA LIGNE PASS\u00c9E, Galerie Ceysson, Luxembourg<\/p>\n\n\n\n

2012 \u2014 LES D\u00c9TOURS DE L\u2019ABSTRACTION, MUDAM, Luxembourg<\/p>\n\n\n\n

1999 \u2014 L\u2019ABSTRACTION ET SES TERRITOIRES, Centre d\u2019Art de Montb\u00e9liard, France<\/p>\n\n\n\n

1998 \u2014 CARTE BLANCHE, D\u00fcsseldorf, Allemagne<\/p>\n\n\n\n

1998 \u2014 LES SAISONS, Galerie \u00c9ric Dupont, Paris, France<\/p>\n\n\n\n

1995 \u2014 ROSE POUR LES GAR\u00c7ONS, ENSBA, Paris, France<\/p>\n\n\n\n

1992 \u2014 SUR UNE PROPOSITION DE PIERRE BURAGLIO, CAC Orl\u00e9ans, France<\/p>\n\n\n\n

Foires internationales<\/em><\/strong><\/p>\n\n\n\n

2023 \u2014 BAD+ Art Fair, Galerie Bessi\u00e8res, Bordeaux, France<\/p>\n\n\n\n

2022 \u2014 BAD+ Art Fair, Galerie Bessi\u00e8res, Bordeaux, France<\/p>\n\n\n\n

2015 \u2014 Art Karlsruhe, Allemagne<\/p>\n\n\n\n

2009 \u2014 FIAC, Galerie Fr\u00e9d\u00e9ric Giroux, Paris<\/p>\n\n\n\n

2008 \u2014 FIAC & Art Brussels, Galerie Fr\u00e9d\u00e9ric Giroux<\/p>\n\n\n\n

2006 \u2014 FIAC, Galerie Fr\u00e9d\u00e9ric Giroux<\/p>\n\n\n\n

2005 \u2014 FIAC, Galerie Fr\u00e9d\u00e9ric Giroux<\/p>\n\n\n\n

2004 \u2014 Art Brussels, Galerie Nosbaum & Reding<\/p>\n\n\n\n

2003 \u2014 FIAC, Galerie Nosbaum & Reding<\/p>\n\n\n\n

Collections\u00a0<\/em><\/strong><\/p>\n\n\n\n

\u2022 MUDAM (Mus\u00e9e d\u2019Art Contemporain Grand Duc Jean), Luxembourg<\/p>\n\n\n\n

\u2022 Collections priv\u00e9es : France, Allemagne, Luxembourg, Cor\u00e9e, \u00c9tats-Unis<\/p>\n\n\n\n

Publications (s\u00e9lection)<\/em><\/strong><\/p>\n\n\n\n

2010 \u2014 Abstraction et libert\u00e9, Camille Villet, Journal des Arts<\/p>\n\n\n\n

2008 \u2014 Fr\u00e9d\u00e9ric Prat, Les Cahiers du MUDAM #02<\/p>\n\n\n\n

2001 \u2014 Fr\u00e9d\u00e9ric Prat, Catalogue d\u2019exposition, Galerie Nosbaum & Reding<\/p>\n\n\n\n

1999 \u2014 L\u2019Abstraction et ses territoires, \u00c9ditions du \u00ab\u00a019\u00a0\u00bb, Montb\u00e9liard<\/p>\n\n\n\n

1995 \u2014 Rose pour les gar\u00e7ons, \u00c9ditions ENSBA, Paris<\/p>\n\n\n\n

1990 \u2014 TRACE 1, \u00c9ditions ENSBA, Paris<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Artiste plasticien, Fr\u00e9d\u00e9ric Prat vit et travaille \u00e0 Paris. Il d\u00e9veloppe depuis les ann\u00e9es 1990 une \u0153uvre ancr\u00e9e dans les […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.fredericprat.com\/index.php?rest_route=\/wp\/v2\/pages\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fredericprat.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fredericprat.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fredericprat.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fredericprat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12"}],"version-history":[{"count":4,"href":"https:\/\/www.fredericprat.com\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":170,"href":"https:\/\/www.fredericprat.com\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions\/170"}],"wp:attachment":[{"href":"https:\/\/www.fredericprat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}